Tableaux Vivants, Early Cinema, and Beauty-as-Attraction

This article offers a case study in intermediality and explores relationships between tableaux vivants performances and early cinema around 1900. It locates processes of intermedial exchange not only at the level of form but also at the level of modes of address and reception. More specifically, the...

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Bibliographic Details
Main Author: Wiegand Daniel
Format: Article
Language:English
Published: Sciendo 2018-10-01
Series:Acta Universitatis Sapientiae: Film and Media Studies
Subjects:
art
Online Access:https://doi.org/10.1515/ausfm-2018-0001