Estudio comparativo de dos metodologías aplicadas para la compresión de la música contemporánea en la Educación Secundaria Obligatoria

In this paper we try to discover which methodology is more appropriate for the comprehension of the contemporary music in the Secondary Education. For that purpose by a quasi-experiment, mixed, qualitative and quantitative, the preserved results through the application of two different methodologies...

Full description

Bibliographic Details
Main Authors: Ana María Botella Nicolás, Noèlia Lerma Granell
Format: Article
Language:English
Published: Ediciones Complutense 2016-12-01
Series:Revista Electrónica Complutense de Investigación en Educación Musical
Subjects:
Online Access:http://revistas.ucm.es/index.php/RECI/article/view/48423
id doaj-8c76a8be0dd242c5968cd72663979f9f
record_format Article
spelling doaj-8c76a8be0dd242c5968cd72663979f9f2020-11-25T02:18:07ZengEdiciones ComplutenseRevista Electrónica Complutense de Investigación en Educación Musical1698-74542016-12-0113010012310.5209/RECIEM.4842350759Estudio comparativo de dos metodologías aplicadas para la compresión de la música contemporánea en la Educación Secundaria ObligatoriaAna María Botella Nicolás0Noèlia Lerma GranellUniversitat de ValènciaIn this paper we try to discover which methodology is more appropriate for the comprehension of the contemporary music in the Secondary Education. For that purpose by a quasi-experiment, mixed, qualitative and quantitative, the preserved results through the application of two different methodologies have been compared: a traditional one base on the masterly class and another based in different kinds of audition. The obtained results after the didactical application on the quantitative level weren´t significant, however, on the qualitative level we could also observe that the pupils who subjected to that methodology had more advantageous results regarding to the comprehension of the contemporary classical music.http://revistas.ucm.es/index.php/RECI/article/view/48423música clásica contemporáneaEducación Secundaria Obligatoriametodología mixtaquasi-experimentoclase magistralaudición
collection DOAJ
language English
format Article
sources DOAJ
author Ana María Botella Nicolás
Noèlia Lerma Granell
spellingShingle Ana María Botella Nicolás
Noèlia Lerma Granell
Estudio comparativo de dos metodologías aplicadas para la compresión de la música contemporánea en la Educación Secundaria Obligatoria
Revista Electrónica Complutense de Investigación en Educación Musical
música clásica contemporánea
Educación Secundaria Obligatoria
metodología mixta
quasi-experimento
clase magistral
audición
author_facet Ana María Botella Nicolás
Noèlia Lerma Granell
author_sort Ana María Botella Nicolás
title Estudio comparativo de dos metodologías aplicadas para la compresión de la música contemporánea en la Educación Secundaria Obligatoria
title_short Estudio comparativo de dos metodologías aplicadas para la compresión de la música contemporánea en la Educación Secundaria Obligatoria
title_full Estudio comparativo de dos metodologías aplicadas para la compresión de la música contemporánea en la Educación Secundaria Obligatoria
title_fullStr Estudio comparativo de dos metodologías aplicadas para la compresión de la música contemporánea en la Educación Secundaria Obligatoria
title_full_unstemmed Estudio comparativo de dos metodologías aplicadas para la compresión de la música contemporánea en la Educación Secundaria Obligatoria
title_sort estudio comparativo de dos metodologías aplicadas para la compresión de la música contemporánea en la educación secundaria obligatoria
publisher Ediciones Complutense
series Revista Electrónica Complutense de Investigación en Educación Musical
issn 1698-7454
publishDate 2016-12-01
description In this paper we try to discover which methodology is more appropriate for the comprehension of the contemporary music in the Secondary Education. For that purpose by a quasi-experiment, mixed, qualitative and quantitative, the preserved results through the application of two different methodologies have been compared: a traditional one base on the masterly class and another based in different kinds of audition. The obtained results after the didactical application on the quantitative level weren´t significant, however, on the qualitative level we could also observe that the pupils who subjected to that methodology had more advantageous results regarding to the comprehension of the contemporary classical music.
topic música clásica contemporánea
Educación Secundaria Obligatoria
metodología mixta
quasi-experimento
clase magistral
audición
url http://revistas.ucm.es/index.php/RECI/article/view/48423
work_keys_str_mv AT anamariabotellanicolas estudiocomparativodedosmetodologiasaplicadasparalacompresiondelamusicacontemporaneaenlaeducacionsecundariaobligatoria
AT noelialermagranell estudiocomparativodedosmetodologiasaplicadasparalacompresiondelamusicacontemporaneaenlaeducacionsecundariaobligatoria
_version_ 1724883106852241408