Borrowing another voice or the Cyrano complex
The voices in Tina Howe’s theatre run the gamut of register, from inarticulate or animal sounds to impassioned monologues and quoted verse. This article focuses on one of the playwright’s greatest successes, Painting Churches (1983) in order to investigate the vocal identity of the text through the...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2013-06-01
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| Series: | Sillages Critiques |
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| Online Access: | http://journals.openedition.org/sillagescritiques/3059 |