Digital cinema: an alternative model for post-apartheid cinematic production and consumption?

Patterns of cinematic production and consumption are often symptomatic of wider politico-economic and socio-cultural forces. This is the case in South Africa, where this site of cultural production, like the society as a whole, is marked by severe racial stratification and division. One finds, for e...

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Bibliographic Details
Main Author: Astrid Treffry-Goatley
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 2011-10-01
Series:Ilha do Desterro
Online Access:https://periodicos.ufsc.br/index.php/desterro/article/view/21550