Not To Be "Looked At"! Reality and Unreality in Kantor's Aesthetics of Theatre.
Universally regarded as one of the twentieth century's most subversive pièces, the Dead Class epitomises Tadeusz Kantor's concept of what theatre (and, more generally, art) could and should be. In the attempt to eliminate all distance between the stage and the auditorium, between actors a...
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| Format: | Article |
| Language: | Spanish |
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Universidad de Málaga
2016-01-01
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| Series: | Boletín de Arte |
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| Online Access: | http://www.revistas.uma.es/index.php/boletin-de-arte/article/view/3291/3033 |