Divini cantori e marionette. Il cantante d'opera tra divismo, simulacri e teatro di regia
This paper focuses on the primacy in the operatic text of the singer’s performance. It shows how this primacy has been opposed in the whole course of opera history, making reference to the Puppet Opera in XVII-XVIII centuries; to Stanislavsky’s reforms of singers’ acting and performance; to Meyerhol...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Italian |
| Published: |
Edizioni Museo Pasqualino
2020-10-01
|
| Series: | Mantichora |
| Online Access: | https://cab.unime.it/journals/index.php/IJPS/article/view/2822 |
| id |
doaj-82eae520191d4793b4efb1a81595d371 |
|---|---|
| record_format |
Article |
| spelling |
doaj-82eae520191d4793b4efb1a81595d3712020-11-25T04:11:12ZitaEdizioni Museo PasqualinoMantichora2240-53802020-10-011010.6092/2240-5380/1.2011.5302232Divini cantori e marionette. Il cantante d'opera tra divismo, simulacri e teatro di regiaDaria ParisiThis paper focuses on the primacy in the operatic text of the singer’s performance. It shows how this primacy has been opposed in the whole course of opera history, making reference to the Puppet Opera in XVII-XVIII centuries; to Stanislavsky’s reforms of singers’ acting and performance; to Meyerhold’s experimentations and opera theatre directions; to the recent digital reconstruction of Maria Callas’ body in Virtual Tosca.https://cab.unime.it/journals/index.php/IJPS/article/view/2822 |
| collection |
DOAJ |
| language |
Italian |
| format |
Article |
| sources |
DOAJ |
| author |
Daria Parisi |
| spellingShingle |
Daria Parisi Divini cantori e marionette. Il cantante d'opera tra divismo, simulacri e teatro di regia Mantichora |
| author_facet |
Daria Parisi |
| author_sort |
Daria Parisi |
| title |
Divini cantori e marionette. Il cantante d'opera tra divismo, simulacri e teatro di regia |
| title_short |
Divini cantori e marionette. Il cantante d'opera tra divismo, simulacri e teatro di regia |
| title_full |
Divini cantori e marionette. Il cantante d'opera tra divismo, simulacri e teatro di regia |
| title_fullStr |
Divini cantori e marionette. Il cantante d'opera tra divismo, simulacri e teatro di regia |
| title_full_unstemmed |
Divini cantori e marionette. Il cantante d'opera tra divismo, simulacri e teatro di regia |
| title_sort |
divini cantori e marionette. il cantante d'opera tra divismo, simulacri e teatro di regia |
| publisher |
Edizioni Museo Pasqualino |
| series |
Mantichora |
| issn |
2240-5380 |
| publishDate |
2020-10-01 |
| description |
This paper focuses on the primacy in the operatic text of the singer’s performance. It shows how this primacy has been opposed in the whole course of opera history, making reference to the Puppet Opera in XVII-XVIII centuries; to Stanislavsky’s reforms of singers’ acting and performance; to Meyerhold’s experimentations and opera theatre directions; to the recent digital reconstruction of Maria Callas’ body in Virtual Tosca. |
| url |
https://cab.unime.it/journals/index.php/IJPS/article/view/2822 |
| work_keys_str_mv |
AT dariaparisi divinicantoriemarionetteilcantantedoperatradivismosimulacrieteatrodiregia |
| _version_ |
1724418460892528640 |