Divini cantori e marionette. Il cantante d'opera tra divismo, simulacri e teatro di regia
This paper focuses on the primacy in the operatic text of the singer’s performance. It shows how this primacy has been opposed in the whole course of opera history, making reference to the Puppet Opera in XVII-XVIII centuries; to Stanislavsky’s reforms of singers’ acting and performance; to Meyerhol...
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| Format: | Article |
| Language: | Italian |
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Edizioni Museo Pasqualino
2020-10-01
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| Series: | Mantichora |
| Online Access: | https://cab.unime.it/journals/index.php/IJPS/article/view/2822 |