| Summary: | Based on the hypothesis that cinema (alongside photography) represents memory in its fullest and most meaningful sense, owing to its place as a dominant mode of narrative in the twentieth century, Russel J.A. Kilbourn’s Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema focuses on modern and contemporary films influenced by what he refers to as Western European Art Cinema. Drawing from key writers on film, memory and the flashback such as Gilles Deleuze, Maureen Turim and David Bordwell, alongside critical theorists, psychoanalysts and philosophers including Derrida, Freud, Augustine and Levinas, Kilbourn aims to discuss cinema and memory within the context of a society where digital technology and globalisation have become prevalent.
|
|---|
