Cinema, Memory, Modernity: The Representations of Memory from the Art Film to Transnational Cinema, by Russel J.A. Kilbourn
Based on the hypothesis that cinema (alongside photography) represents memory in its fullest and most meaningful sense, owing to its place as a dominant mode of narrative in the twentieth century, Russel J.A. Kilbourn’s Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Tra...
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| Format: | Article |
| Language: | English |
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University College Cork
2011-08-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue 1/ReviewRyan.html |