“Dig, What Makes Your Mouth So Big?”: Off-Modern Nostalgia, Symbolic Cannibalism, and Crossing the Border of the Universal Language in Clarence Major’s “The Slave Trade: View from the Middle Passage”
African American literature on the Middle Passage has always challenged white supremacy’s language with its power to define and control. This article demonstrates how the border of such a “Universal Language” is challenged and trespassed in Clarence Major’s ekphrastic poem “The Slave Trade: View fro...
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| Format: | Article |
| Language: | English |
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Sciendo
2017-12-01
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| Series: | Studia Anglica Posnaniensia |
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| Online Access: | https://doi.org/10.1515/stap-2017-0009 |