Dismembered Frames: Dialectic Intermedia in Peter Greenaway’s 'The Pillow Book'
Peter Greenaway’s 'The Pillow Book' (1996) demonstrates the director’s recurring interest in images of dismemberment. These images represent an uncanny and grotesque literalisation of key metaphors. The climactic image of a book made from the flayed skin of a central character is a literal...
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| Format: | Article |
| Language: | English |
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Open Library of Humanities
2020-12-01
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| Series: | Open Screens |
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| Online Access: | https://openscreensjournal.com/articles/33 |