« Alegres trabajan ya los negros del barracón » : la représentation de l’esclavage dans le cinéma prérévolutionnaire cubain

This article deals with Cuban cinematographic production prior to the Revolution of 1959 and focuses more specifically on documentary and fiction movies containing evocations of slavery. The importation to Cuba of enslaved manpower of African origins, more lasting and massive than elsewhere in Hispa...

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Bibliographic Details
Main Author: Emmanuel Vincenot
Format: Article
Language:English
Published: Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine 2014-07-01
Series:L'Ordinaire des Amériques
Subjects:
Online Access:http://journals.openedition.org/orda/548