THE ENIGMA OF KASPER HAUSER: REPRESENTATIONS OF SOCIAL CONTROL
The goal of this article is to put forward an initial analysis of some scenes of the Werner Herzogs motion picture, The Enigma of Kaspar Hauser, whose original German title is Jederfrsich und Gottgegenalle, from 1974. The chosen images will be interpreted based on the interactionist perspective on l...
| Main Authors: | , |
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| Format: | Article |
| Language: | Portuguese |
| Published: |
Universidade Estadual do Oeste do Paraná
2012-06-01
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| Series: | Travessias |
| Subjects: | |
| Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/6211 |