Performing the Spirit: Theatre, the Occult, and the Ceremony of Isis
Looking at two distinctly different approaches to the occult and performance, this article demonstrates that a range of late-Victorians turned to theatrical performance as an avenue to mystical communication. The editors of Borderland: A Psychical Quarterly, W. T. Stead and Ada Goodrich Freer, focus...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2014-09-01
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| Series: | Cahiers Victoriens et Edouardiens |
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| Online Access: | http://journals.openedition.org/cve/1552 |