Split Asunder: Obstetric Violence and Pain in Máiréad Delaney’s At What Point It Breaks (2017)
This article examines the embodiment of pain in artist Máiréad Delaney’s performance AtWhat Point It Breaks (2017). Drawing upon the gender-based violence of symphysiotomy and its resulting pain, Delaney’s work employs an affective aesthetics and negotiates a breach in representation, thus...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Institute of Philosophy of the Jagiellonian University
2018-12-01
|
| Series: | The Polish Journal of Aesthetics |
| Subjects: | |
| Online Access: | https://pjaesthetics.uj.edu.pl/documents/138618288/143076540/newpja-51-4-antosik.pdf/50dce827-851b-439f-91bf-a758c6ae9567 |