Il teatro come forma che pensa. Pregiudizio antiteatrale, materialità e abiezione nella scena postdrammatica
If one turns to the source of the so-called antitheatrical prejudice, Plato, and explores beside his notorious critics to the arts also his statements about the spectatorship, something intriguing appears. It appears that common origins link the theoretical meditation and the theatrical specta-tors...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Milano
2013-04-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/2922 |