La selva sin amor (1627): ¿un ejemplo «italiano»?

A court piece, La selva sin amor takes advantage of technical progress in Italian staging as well as music in order to offer its court public a ‘one and only’ performance of a piece entirely sung in Spanish. Nevertheless, over and above the spectacle, visual and sung, we are confronted, as we can se...

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Bibliographic Details
Main Author: Philippe Meunier
Format: Article
Language:Spanish
Published: Presses universitaires du Mirail 2014-12-01
Series:Criticón
Subjects:
Online Access:http://journals.openedition.org/criticon/1231