Faces, Close-ups and Choreography: A Deleuzian Critique of So You Think You Can Dance
In everyday life the face occupies a central position within human expression and social interaction: its features are perceived to present a unique identity, and we breathe, consume and communicate through our faces. In this article, we explore two ideas as a means to examine the “screendance face....
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
The Ohio State University Libraries
2014-12-01
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| Series: | The International Journal of Screendance |
| Online Access: | http://screendancejournal.org/article/view/4524 |