MIMESIS’S ASTUTENESS IN OS 300 DE ESPARTA - The aesthetical dimension in the GN and in the film’s display.
While, during the 20th century, the public consensus, the entertainment, and the consumption were considered negative signals in relation to the aesthetic character of a production, the post-modernity comes to turn relative the opposition between massive products and works of art. It is acceptable,...
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| Format: | Article |
| Language: | English |
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Universidade de São Paulo
2008-12-01
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| Series: | Matrizes |
| Online Access: | http://www.revistas.usp.br/matrizes/article/view/38212 |