On Copies and Reconstructions: A Visual Asset for the Exhibitions of Modern Art History since the 1960s
<p>This paper analyses the fact that most of the works pertaining to the so-called “Historical Avant-garde” -as well as to some of the Neo-Avant-garde- from the first half of 20th century have been gradually rebuilt since the 1960s to fill the gaps in some temporary exhibitions, and in many mu...
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| Format: | Article |
| Language: | English |
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Universidad Complutense de Madrid
2012-07-01
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| Series: | Arte, Individuo y Sociedad |
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| Online Access: | http://revistas.ucm.es/index.php/ARIS/article/view/39027 |