Il castrato come figura retorica (trad. it. di Tommaso Sabbatini)

This essay argues that the fundamentally rhetorical nature of the seventeenth- and eighteenth-century aria was embodied in the figure of the castrato, who delivered an idealized form of Ciceronian oratory designed to move audiences using the precepts of invenzione, variazione, and decoro.  As singer...

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Bibliographic Details
Main Author: Martha Feldman
Format: Article
Language:English
Published: Firenze University Press 2018-05-01
Series:Diciottesimo Secolo
Online Access:https://oajournals.fupress.net/index.php/ds/article/view/334