Empty Quarter (Une Femme en Afrique) de Raymond Depardon : l’image d’une voix off

For his first fiction feature, Raymond Depardon chooses a radical device to direct the passionate love of a man for a woman: never see him never hear him; he is only present thanks to his voice-over and the camera-glances of this woman. Kind of a shape of a subjective point of view is anchored in th...

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Bibliographic Details
Main Author: Cyril Laverger
Format: Article
Language:fra
Published: Laboratoire Interdisciplinaire Récits Cultures Et Sociétés 2011-08-01
Series:Cahiers de Narratologie
Subjects:
Online Access:http://journals.openedition.org/narratologie/6310

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