Empty Quarter (Une Femme en Afrique) de Raymond Depardon : l’image d’une voix off
For his first fiction feature, Raymond Depardon chooses a radical device to direct the passionate love of a man for a woman: never see him never hear him; he is only present thanks to his voice-over and the camera-glances of this woman. Kind of a shape of a subjective point of view is anchored in th...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2011-08-01
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| Series: | Cahiers de Narratologie |
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| Online Access: | http://journals.openedition.org/narratologie/6310 |