The Outsider Within: Béla Tarr and Hungarian National Cinema
Béla Tarr is probably the most paradoxical figure in contemporary Hungarian cinema. His artistic trajectory shows a movement from documentary style realism (Family Nest, 1979) towards more modernist cinematic practices (Satan’s Tango, 1994, Werckmeister Harmonies, 2000, and The Man from London, 2007...
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| Format: | Article |
| Language: | English |
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University Library System, University of Pittsburgh
2016-10-01
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| Series: | Hungarian Cultural Studies |
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| Online Access: | http://ahea.pitt.edu/ojs/index.php/ahea/article/view/259 |