Rhythm, Composition, Syntax and Semantics in R.S. Thomas’ “No”, “Kneeling” and “Via Negativa”
The main objective of this article is to present a semiotic analysis of three poems by R.S. Thomas. The research material enables me: 1—to exemplify idiosyncratic employment of poetic devices; 2—to illustrate functional juxtaposition of various compositional units (such as a metrical foot, a hemisti...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2010-12-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/2807 |