Posthumanist and New Materialist Perspectives as Navigational Tool in Art Education Research: A Diffractive Analysis

An art project conducted with twelve Grade 10 learners at an art centre in Cape Town from April 2016 to June 2016 was analysed diffractively using perspectives of posthumanism and new materialism. This post-qualitative approach to research was an attempt to move away from research methods based on h...

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Main Authors: Roline Kotze, Karolien Perold-Bull, Elmarie Costandius, Neeske Alexander
Format: Article
Language:English
Published: University of the Western Cape 2018-06-01
Series:Critical Studies in Teaching and Learning
Online Access:http://cristal.ac.za/index.php/cristal/article/view/124
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spelling doaj-60e9f7736bdc4abc8b270dc294bc584e2020-11-25T00:35:18ZengUniversity of the Western CapeCritical Studies in Teaching and Learning2310-71032018-06-0161355710.14426/cristal.v6i1.124124Posthumanist and New Materialist Perspectives as Navigational Tool in Art Education Research: A Diffractive AnalysisRoline Kotze0Karolien Perold-Bull1Elmarie Costandius2Neeske Alexander3Art teacherStellenbosch UniversityStellenbosch UniversityStellenbosch UniversityAn art project conducted with twelve Grade 10 learners at an art centre in Cape Town from April 2016 to June 2016 was analysed diffractively using perspectives of posthumanism and new materialism. This post-qualitative approach to research was an attempt to move away from research methods based on humanist thinking. Data consisted of the art project, learners’ responses in terms of source book content and work produced, informal discussions, and videos and photographs taken during the work processes. Several specific agential cuts were performed on the data, some of which are presented here. The analysis of these entanglements of data provided rich content and interesting lines of flight, which led to thought-provoking questions about art education, sensory education, and the possibilities of applying posthumanist thought and methods in the South African art classroom.http://cristal.ac.za/index.php/cristal/article/view/124
collection DOAJ
language English
format Article
sources DOAJ
author Roline Kotze
Karolien Perold-Bull
Elmarie Costandius
Neeske Alexander
spellingShingle Roline Kotze
Karolien Perold-Bull
Elmarie Costandius
Neeske Alexander
Posthumanist and New Materialist Perspectives as Navigational Tool in Art Education Research: A Diffractive Analysis
Critical Studies in Teaching and Learning
author_facet Roline Kotze
Karolien Perold-Bull
Elmarie Costandius
Neeske Alexander
author_sort Roline Kotze
title Posthumanist and New Materialist Perspectives as Navigational Tool in Art Education Research: A Diffractive Analysis
title_short Posthumanist and New Materialist Perspectives as Navigational Tool in Art Education Research: A Diffractive Analysis
title_full Posthumanist and New Materialist Perspectives as Navigational Tool in Art Education Research: A Diffractive Analysis
title_fullStr Posthumanist and New Materialist Perspectives as Navigational Tool in Art Education Research: A Diffractive Analysis
title_full_unstemmed Posthumanist and New Materialist Perspectives as Navigational Tool in Art Education Research: A Diffractive Analysis
title_sort posthumanist and new materialist perspectives as navigational tool in art education research: a diffractive analysis
publisher University of the Western Cape
series Critical Studies in Teaching and Learning
issn 2310-7103
publishDate 2018-06-01
description An art project conducted with twelve Grade 10 learners at an art centre in Cape Town from April 2016 to June 2016 was analysed diffractively using perspectives of posthumanism and new materialism. This post-qualitative approach to research was an attempt to move away from research methods based on humanist thinking. Data consisted of the art project, learners’ responses in terms of source book content and work produced, informal discussions, and videos and photographs taken during the work processes. Several specific agential cuts were performed on the data, some of which are presented here. The analysis of these entanglements of data provided rich content and interesting lines of flight, which led to thought-provoking questions about art education, sensory education, and the possibilities of applying posthumanist thought and methods in the South African art classroom.
url http://cristal.ac.za/index.php/cristal/article/view/124
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