From Art Object to Text: Language and Perception in Early Conceptual Practices
Anglo-Saxon conceptual practices emerging in the 1960s were not only a reaction against modernist discourse, but also the final episode in its search for self-reflection, self-criticism and inquiry into the nature and status of art. The proponents of conceptual art rejected materialist, subjective a...
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| Format: | Article |
| Language: | deu |
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Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculy of Arts)
2019-08-01
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| Series: | Ars & Humanitas |
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| Online Access: | https://revije.ff.uni-lj.si/arshumanitas/article/view/8696 |