LENTES, REGISTROS, SIGNOS SOCIAIS: A VISÃO DE PRISÃO E DE DETENTOS, CRISTALIZADA A PARTIR DE IMAGENS DA REBELIÃO

The increasing technological advancement enabled a accelerated development in different fields of human life, as well as, interfered in the form how to use and make photography today. The photograph gradually left the family albums and has become an important composition in the art of communicating,...

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Main Authors: Beatriz Helena Dal Molin, Leidiane Marques de Aguiar, Paulo Humberto Porto Borges
Format: Article
Language:Portuguese
Published: Universidade Estadual do Oeste do Paraná 2015-08-01
Series:Travessias
Online Access:http://e-revista.unioeste.br/index.php/travessias/article/view/11884
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spelling doaj-5c6c5ec0530f44a58eb1cc6b637b0e082020-11-25T03:02:14ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352015-08-01918405LENTES, REGISTROS, SIGNOS SOCIAIS: A VISÃO DE PRISÃO E DE DETENTOS, CRISTALIZADA A PARTIR DE IMAGENS DA REBELIÃOBeatriz Helena Dal MolinLeidiane Marques de AguiarPaulo Humberto Porto BorgesThe increasing technological advancement enabled a accelerated development in different fields of human life, as well as, interfered in the form how to use and make photography today. The photograph gradually left the family albums and has become an important composition in the art of communicating, given its ability to picture the reality moments. This article aims to observe that the many images that are placed in contact with us, need to be analyzed so that we can understand how these representations of reality, built by words and images, are being presented by certain social groups to others groups. Thus, another objective of this paper is to present a brief photography history while linguistic and social product, as well as analyze some photographs widely disseminated over the Internet during the rebellion occurred at the Penitenciria Estadual de Cascavel/ PR, watching the perspective of the looking that the society has of prison and prisoners. Methodologically, the research is a qualitative research, of bibliographic type, that brings authors as Corra (2013), Freund (2011), Morin(2011) Borges (2010/ 2003), Canabarro (2005), Barthes(1989), among others.http://e-revista.unioeste.br/index.php/travessias/article/view/11884
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Beatriz Helena Dal Molin
Leidiane Marques de Aguiar
Paulo Humberto Porto Borges
spellingShingle Beatriz Helena Dal Molin
Leidiane Marques de Aguiar
Paulo Humberto Porto Borges
LENTES, REGISTROS, SIGNOS SOCIAIS: A VISÃO DE PRISÃO E DE DETENTOS, CRISTALIZADA A PARTIR DE IMAGENS DA REBELIÃO
Travessias
author_facet Beatriz Helena Dal Molin
Leidiane Marques de Aguiar
Paulo Humberto Porto Borges
author_sort Beatriz Helena Dal Molin
title LENTES, REGISTROS, SIGNOS SOCIAIS: A VISÃO DE PRISÃO E DE DETENTOS, CRISTALIZADA A PARTIR DE IMAGENS DA REBELIÃO
title_short LENTES, REGISTROS, SIGNOS SOCIAIS: A VISÃO DE PRISÃO E DE DETENTOS, CRISTALIZADA A PARTIR DE IMAGENS DA REBELIÃO
title_full LENTES, REGISTROS, SIGNOS SOCIAIS: A VISÃO DE PRISÃO E DE DETENTOS, CRISTALIZADA A PARTIR DE IMAGENS DA REBELIÃO
title_fullStr LENTES, REGISTROS, SIGNOS SOCIAIS: A VISÃO DE PRISÃO E DE DETENTOS, CRISTALIZADA A PARTIR DE IMAGENS DA REBELIÃO
title_full_unstemmed LENTES, REGISTROS, SIGNOS SOCIAIS: A VISÃO DE PRISÃO E DE DETENTOS, CRISTALIZADA A PARTIR DE IMAGENS DA REBELIÃO
title_sort lentes, registros, signos sociais: a visão de prisão e de detentos, cristalizada a partir de imagens da rebelião
publisher Universidade Estadual do Oeste do Paraná
series Travessias
issn 1982-5935
publishDate 2015-08-01
description The increasing technological advancement enabled a accelerated development in different fields of human life, as well as, interfered in the form how to use and make photography today. The photograph gradually left the family albums and has become an important composition in the art of communicating, given its ability to picture the reality moments. This article aims to observe that the many images that are placed in contact with us, need to be analyzed so that we can understand how these representations of reality, built by words and images, are being presented by certain social groups to others groups. Thus, another objective of this paper is to present a brief photography history while linguistic and social product, as well as analyze some photographs widely disseminated over the Internet during the rebellion occurred at the Penitenciria Estadual de Cascavel/ PR, watching the perspective of the looking that the society has of prison and prisoners. Methodologically, the research is a qualitative research, of bibliographic type, that brings authors as Corra (2013), Freund (2011), Morin(2011) Borges (2010/ 2003), Canabarro (2005), Barthes(1989), among others.
url http://e-revista.unioeste.br/index.php/travessias/article/view/11884
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