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It may be said that in Carles Santos’ whole work the interest in visuality becomes a constant topos. As noted in Joan Brossa’s poetry, Santos’ approach to image resorts exclusively to the artistic language characteristic to him: music and sound —both in abstract and concrete terms—. The short films...

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Bibliographic Details
Main Author: Ainize González García
Format: Article
Language:Catalan
Published: Universitat Autonoma de Barcelona. Departament d'Art i Musica 2008-12-01
Series:Locvs Amoenvs
Subjects:
Online Access:https://revistes.uab.cat/locus/article/view/196