DE-MYTHOLOGIZING THE BARD: APPROPRIATION OF SHAKESPEARE IN TOM STOPPARD’S DOGG’S HAMLET, CAHOOT’S MACBETH
One of the most entrenched myths that dramatic authors need to contest and adjust to is the Shakespeare myth, a long-lasting and all-pervasive influence that Shakespeare’s name and texts have exerted since the late 16th century, being perceived as “represent[ing] truths that transcend particular cir...
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Format: | Article |
Language: | English |
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University of Montenegro
2014-11-01
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Series: | Logos et Littera: Interdisciplinary Approaches to Text |
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Online Access: | http://www.ll.ac.me/Issue%201/LL%201,%202014,%20Ciric%20Fazlija.pdf |