“The Hand that Writes”: The Scriptorial Unfinishedness of the First Movement of Mahler’s Tenth
Since Theodor W. Adorno’s essay “Roman” (“Novel”), in his book Mahler: Eine Musikalische Physiognomik (Mahler: A Musical Physiognomy), it has become commonplace for scholars to study the narrativity of Gustav Mahler’s music. However, insufficient attention has been given to the analysis of narra...
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Format: | Article |
Language: | English |
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Österreichische Gesellschaft für Musikwissenschaft
2020-10-01
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Series: | Musicologica Austriaca |
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Online Access: | http://musau.org/parts/neue-article-page/view/89 |