From Parody to Rewriting: Margaret Mitchell’s GoneWith the Wind (1936) vs Alice Randall’s The Wind Done Gone (2001)
When after many difficulties, Alice Randall published The Wind Done Gone, the question of the very nature of the novel came to the foreground, from a constitutional as well as a literary standpoint: was it a parodic re-writing of Margaret Mitchell’s Gone With the Wind, and as such protected by the F...
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| Format: | Article |
| Language: | English |
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Maison de la Recherche en Sciences Humaines
2004-10-01
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| Series: | Revue LISA |
| Online Access: | http://journals.openedition.org/lisa/2911 |