Die moderne self as toneelpop in Woyzeck on the Highveld
The modern self as puppet in Woyzeck on the Highveld This article undertakes a semiotic investigation of identifications of the self in terms of a specifically South African modernism, via an exploration of an adaptation of Georg Büchner’s “Woyzeck”. William Kentridge’s production of “Woyzeck on th...
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| Format: | Article |
| Language: | Afrikaans |
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AOSIS
2011-06-01
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| Series: | Literator |
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| Online Access: | https://literator.org.za/index.php/literator/article/view/12 |