Fusion, emprunt…dislocation, ou comment la rencontre de l’art occidental s’inscrit dans les écrits des critiques chinois
While from the beginning of the 20th century, art in China had the mission of supporting the young and fragile Chinese Republic, and to be as close as possible to its people, Chinese artists who left to study abroad were confronted with Western Modern art, which claimed its autonomy: two irreconcila...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Open Library of Humanities
2019-04-01
|
| Series: | Open Library of Humanities |
| Online Access: | https://olh.openlibhums.org/article/id/4569/ |