The limits of realism in The Mutilated, by Tennessee Williams: expressionism and verfremdungseffekt
This paper starts the research reading the hesitations of literary and theatrical criticism in its proposition to classify Tennessee Williams’s (1911-1983) dramatic writing, specially the critics that try to restrict the foregoing playwright works under the term “Realism”. Adverse to this criticism,...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Santa Catarina
2017-01-01
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| Series: | Ilha do Desterro |
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| Online Access: | https://periodicos.ufsc.br/index.php/desterro/article/view/45589 |