La Chola desnuda de Alfredo Guido (1924): ficciones nacionales, ficciones femeninas
Since the 1970s on, the feminist critique of art history has changed radically the way we look at images. The first feminist art historians analyzed representations of the female, viewing it as a passive object at service of the male gaze. In this essay I propose a new reading of an iconic work of A...
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| Format: | Article |
| Language: | English |
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Centre de Recherches sur les Mondes Américains
2015-12-01
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| Series: | Nuevo mundo - Mundos Nuevos |
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| Online Access: | http://journals.openedition.org/nuevomundo/68441 |