“It was one’s body feeling, not one’s mind”
The Russian ballet was celebrated amongst the Bloomsbury group in the early twentieth-century. Throughout 1910s-1930s, Virginia Woolf enjoyed Russian ballets such as Petrushka, Le Spectre de la Rose and Scheherazade staged by Michel Fokine and Sergei Diaghilev. The expressivity of the dancing body r...
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| Format: | Article |
| Language: | English |
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University of Edinburgh
2019-12-01
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| Series: | Forum |
| Online Access: | http://www.forumjournal.org/article/view/4141 |