Manufacturing consent in Extremely Loud and Incredibly Close: The visual aesthetics of tragedy, vulnerability, and triumph

Manufacturing consent in Extremely Loud and Incredibly Close: The visual aesthetics of tragedy, vulnerability, and triumph

This article examines Stephen Daldry’s film Extremely Loud and Incredibly Close (2011), based on Jonathan Safran Foer, 2005 novel, as a media model to demonstrate how the Hollywood film industry fashioned tragedy and vulnerability in response to the September 11, 2001 attacks on the World Trade Cent...

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Bibliographic Details
Main Author: Mary Louisa Cappelli
Format: Article
Language:English
Published: Taylor & Francis Group 2016-12-01
Series:Cogent Social Sciences
Subjects:
sept. 11, 2001
tragedy
vulnerability
visual aesthetics
commodification
hollywood
extremely loud and incredibly close
terrorism
post 9/11
manufacturing consent
Online Access:http://dx.doi.org/10.1080/23311886.2016.1189387

Internet

http://dx.doi.org/10.1080/23311886.2016.1189387

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