L’improvisation comme pratique sociale. L’exemple des nâgasvarakkârar, hautboïstes sud-indiens
Within karnatic musical traditions, improvisation is recognised, discussed and partially theorised. Therefore, a musician-improvisator is duty bound to respond to a set of musical and cultural norms while being – or remaining – creative. He thus exposes himself, at different levels, to the critical...
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| Format: | Article |
| Language: | fra |
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ENS Éditions
2010-05-01
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| Series: | Tracés |
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| Online Access: | http://journals.openedition.org/traces/4568 |