Losing Touch: A Theology of Death for Michael Haneke’s Amour
This proposed theology of death for Michael Haneke’s Amour, a fraught but poignant piece of cinema, will employ Martin Heidegger’s existentialism to reframe the ethical structure of the film and apply a “lived theology” rejoinder to its perceived hopelessness. The proposal will address the question...
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| Format: | Article |
| Language: | English |
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MDPI AG
2016-11-01
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| Series: | Religions |
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| Online Access: | http://www.mdpi.com/2077-1444/7/12/140 |