The (In)Human Condition
The article examines Simon Stephens's seminal play Three Kingdoms (2012), a defining moment in his enduring working relationship with director Sebastian Nübling and a decidedly internationalist staging effort that enabled cross-collaboration between artists based in Britain, Estonia and Germany...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Centre de Recherche "Texte et Critique de Texte"
2016-07-01
|
| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | http://journals.openedition.org/sillagescritiques/4411 |