The Dionysian signs in Richard Wagner's Tannhäuser

The Dionysian signs in Richard Wagner's Tannhäuser

The article discusses Dionysian signs in Richard Wagner's opera Tannhäuser und der Sängerkrieg auf Wartburg, focusing on Venus's arietta “Geliebter! Komm”. The method exemplifies musical topics' semiotic analysis. It is proposed that the arietta's pastoral style constitutes a ly...

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Bibliographic Details
Main Author:	Sanna Iitti
Format:	Article
Language:	deu
Published:	Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) 2015-04-01
Series:	Muzikološki Zbornik
Online Access:	https://193.2.70.196/MuzikoloskiZbornik/article/view/3008

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