The Dionysian signs in Richard Wagner's Tannhäuser
The article discusses Dionysian signs in Richard Wagner's opera Tannhäuser und der Sängerkrieg auf Wartburg, focusing on Venus's arietta “Geliebter! Komm”. The method exemplifies musical topics' semiotic analysis. It is proposed that the arietta's pastoral style constitutes a ly...
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| Format: | Article |
| Language: | deu |
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Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
2015-04-01
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| Series: | Muzikološki Zbornik |
| Online Access: | https://193.2.70.196/MuzikoloskiZbornik/article/view/3008 |