Dismantling Southern Codes of Black Masculinity : The Black Male’s Demystified Image in Hal Bennett’s Lord of Dark Places (1970)
Meaning, as Greimas puts it, is nothing but the possibility of interpreting and transcoding. Applying intersectionality theory, it will be argued that there are two antagonistic images of black men in Hal Bennett’s representation of black masculinity, one as the provocative black stud and one as the...
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| Format: | Article |
| Language: | English |
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Université du Sud Toulon-Var
2015-01-01
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| Series: | Babel : Littératures Plurielles |
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| Online Access: | http://journals.openedition.org/babel/4072 |