Antonio Banderas: Hispanic Gay Masculinities and the Global Mirror Stage (1991-2001)
Here I map out the Atlantic intertwining between neo-liberal/neo-imperial Spain and cinema by analyzing Antonio Banderas's body politics as the postmodern (post- or neoimperialist) Don Juan. Banderas's career trajectory from 1991 to 2001 coincides with larger political and historical devel...
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| Format: | Article |
| Language: | English |
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New Prairie Press
2006-01-01
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| Series: | Studies in 20th & 21st Century Literature |
| Online Access: | http://newprairiepress.org/sttcl/vol30/iss1/12 |