Last Year at Mulholland Drive: Ambiguous Framings and Framing Ambiguities

This article proposes a cognitive-narratological perspective on David Lynch’s Mulholland Drive (2001) and the numerous contrasting interpretations that this film has generated. Rather than offering an(other) interpretation of the film, we aim to investigate some of the reasons why Lynch’s highly com...

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Bibliographic Details
Main Authors: Willemsen Steven, Kiss Miklós
Format: Article
Language:English
Published: Sciendo 2019-08-01
Series:Acta Universitatis Sapientiae: Film and Media Studies
Subjects:
Online Access:https://doi.org/10.2478/ausfm-2019-0007