Mettre en scène le passé. Ethnographie de l’instrumentation de l’œuvre d’art dans les politiques de la mémoire

Part of a long-term research on the genesis of « memory » as a category of State intervention, this article takes the concept of « staging the past » literally to analyze the social mechanisms which lead to the use of artistic works in so-called « memory » policies. Why such a mobilization of artist...

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Bibliographic Details
Main Author: Sarah Gensburger
Format: Article
Language:fra
Published: L’Harmattan 2013-12-01
Series:Droit et Cultures
Subjects:
Art
Online Access:http://journals.openedition.org/droitcultures/3219