Kintsugi 100 (without) memories: a performing self-fictional gesture to converge with dramaturgy of memory
The starting point happens with a dialogue between a broadening of ‘dramaturgy’ concept that is performed in contemporary scenic rehearsals/ assays, regarding shows whose aim is investigating the actor’s/performer’s memory in a self-fictional perspective. The study concerning “I” and memories evocat...
| Main Authors: | , |
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| Format: | Article |
| Language: | Portuguese |
| Published: |
Universidade Estadual do Oeste do Paraná
2021-04-01
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| Series: | Travessias |
| Subjects: | |
| Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/26227 |