I’s Wide Shut: Examining the Depiction of Female Refugees’ Eyes and Hands in Stephen Frears’s Dirty Pretty Things
In 2002, Stephen Frears directed Dirty Pretty Things – one of the few mainstream fictional films to highlight the effects of exile, the complexities of refugee status, and the trials of migrant labour in the “Western” world. Thus far, the minimal number of “refugee” films produced is mirrored by the...
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| Format: | Article |
| Language: | English |
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York University Libraries
2007-06-01
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| Series: | Refuge |
| Online Access: | https://refuge.journals.yorku.ca/index.php/refuge/article/view/21389 |