Retrato e fisionomia do mundo em Cristóvão Colombo, o enigma
This article considers how Portuguese cinema questions the possibility of any cinematic representation of national identity. By exposing the subjective mechanisms and the artistic construction of Manoel de Oliveira’s Cristóvão Colombo, o enigma (2007), I argue that the film serves as a portrait desp...
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| Format: | Article |
| Language: | English |
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American Portuguese Studies Association (APSA)
2017-06-01
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| Series: | Journal of Lusophone Studies |
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| Online Access: | https://jls.apsa.us/index.php/jls/article/view/152 |